Details of over 200 Scottish printed sources of vernacular violin music from before 1850, along with images and indexes of 22 books from the University of Glasgow and Perth’s A K Bell Library. You can browse the collection, search for tunes and composers, and play the tunes.
The Mian and Kilivila Collection contains information pertaining to the nominal classification systems of two indigenous languages of Papua New Guinea, Mian and Kilivila. Kilivila has a single system of classifiers, with a great number of distinctions, while Mian has a dual system, which combines four genders and six classifiers. The Digital Collection on this website permits users to gain a greater understanding of these systems by exploring images of Mian and Kilivila objects and people. Users are also able to test what they have learnt about the classification systems of these two languages by taking the online Quiz.
This is e a digital catalogue of 230 songs from the medieval period to the early nineteenth century, categorised according to generic type, musical incipit and other features and thus permitting for the first time comparison of songs distant in time but linked across history by melody, form or audience. Facsimile images of manuscript and early printed editions are provided, as also modern musical annotation and commentaries on each song.
Late Medieval English Scribes is an online catalogue of all scribal hands (identified or unidentified) which appear in the manuscripts of the English writings of five major Middle English authors: Geoffrey Chaucer, John Gower, John Trevisa, William Langland and Thomas Hoccleve.
The database contains entries of over 550 pageants (and growing). These list a wealth of information about individual historical pageants, sometimes in great detail. Insofar as records allow (and little trace remains of many pageants), we have sought to record details of the times and places of performances, those involved in organising and staging them, and how many people attended. For each pageant, we have also sought to record, again as fully as possible, whether the pageant made or lost money, details of the music that was played and who composed it, and synopses of the individual episodes which featured. In addition, for each pageant record we provide lists of the names of the notable historical figures that featured in the action. Last but certainly not least, we have prepared a detailed summary essay explaining each pageant and placing it in its wider historical context. We have information on all – or nearly all – of the largest pageants performed in twentieth-century Britain as well as a broadly representative sample of smaller pageants.
The project archive of the 2017 Judaica laboratory phase contains approximately 2TB of audiovisual materials: primarily audiovisual recordings generated by the DCTV method, as well as recorded audio conversations, photos, and video essays.
The ambition of this database has been to capture every instance of a professional production of a work by Harold Pinter in the UK since 1957 alongside a comprehensive catalogue of all broadcasts of his work for radio and television, and films for which he has written a screenplay. In addition, we have included plays, films and so on that Pinter directed or acted in.
This project aims to survey the vast hidden archive of early Stuart England’s manuscript pamphlets. In collaboration with the British Library, this project will construct a database of manuscript pamphlet texts, bibliographic information, and digital images. This will allow users to search transcriptions of the pamphlets; analyze the distribution of copies through time and space; and see how such materials were presented: large and small, elaborate and plain, professional and amateur. The project will conduct additional research in the private papers of Francis Russell, fourth earl of Bedford, who was a major political figure of the early Stuart era as well as a reader and collector of manuscript pamphlets.
